Halloween Mixtape Massacre
Anon Magazine | Halloween Mixtape Massacre
New Music – Blue Jean Queen Explodes Our Hearts With “Wild Wild Woman”
Between Stevie Nicks on "Edge of Seventeen" and Deana Carter with "Strawberry Wine," now there is an equal which somehow manages to draw comparisons to both at the same time. "Wild Wild Woman" is powerful, perfect, and rises into the realm of greatness by transcending forever beyond the person who created it to represent a moment forever speaking to whoever hears it as one of the great beacons of the realized rare potential music has the heights of reaching.
Album Review – Half Dream – Monsters of Needing
Monsters of Needing comes in voicing an introspective grasping of one's own anchored soul by the weighted center of life whose ever-presence has always been known but never embraced and, at best, vaguely named.
New Video(s): Lord Friday the 13th – “Bigots Beware”
Marking the first single from their Irrational Anthem EP, Lord Friday the 13th are celebrating with the release of THREE(!) videos for "Bigots Beware." Hey, with this extra time on our collective hands, at least they are putting it to good use. All we have been doing is refusing to put on pants while watching the Phantasm series with the sound off and Negativeland records blasting over it. Way to make us all feel ineffectually worthless. Geez.
Album Review: Frankie and the Witch Fingers – Monsters Eating People Eating Monsters…
Once everyone has settled into a spot around the backyard, toss out a square to everyone and get the jawing out of the way waiting for those eyelids to get a bit heavy, those feet to get even heavier. Vibe.
Ten Essential Horror Films We Love To Watch Over and Over
"Horror films are meant to be cathartic, we put ourselves through the terror as a means of symbolically overcoming something we're afraid of."
Singled Out: ISS – “Too Punk For Heavy Metal”
Singled Out ISS – “Too Punk For Heavy Metal” by Jay Armstrong There are maybe four bands giving me feels beyond pacified as of late. ISS are one of them. Working on the review for the new Spits album, this forty-fiveĀ Total Punk Records put out in June is what I find myself playing on repeat while catching a break. Initially, this one seemed as though it ran the risk of losing its kick, as though it might get beaten into the background slightly with each play. Here we are months later and it keeps hitting better. Somewhere lower on the list of reasons this one rides is how it…